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June 23, 2025: In a stunning and controversial comment, director Vivek Agnihotri has brazenly criticized actor John Abraham for his efficiency of their 2007 sports activities drama Dhan Dhana Dhan Objective. In a latest interview, Vivek claimed that John struggled with primary dialogue supply, allegedly requesting his strains be shortened as a result of he couldn’t ship “even 5 sentences in rhythm.”
The director didn’t cease there—he questioned why actors with restricted appearing expertise are paid crores, sparking intense debate amongst followers and trade observers.
Netizens React: Irony and Relevance Debated
The remarks have drawn sharp reactions on-line, with many customers calling Agnihotri’s feedback ironic and condescending. At the time of the movie’s launch in 2007, John Abraham was one in all Bollywood’s main stars, identified for business hits like Dhoom, Garam Masala, and Taxi No. 9211. Whereas John was by no means hailed as a technique actor, his display screen presence and mass enchantment performed a pivotal function in his success.
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However, Agnihotri’s personal filmography throughout that interval included field workplace failures like Chocolate and Dhan Dhana Dhan Objective itself. Critics and followers argue that publicly belittling an actor practically twenty years later—particularly after a dry spell post-The Kashmir Information—appears extra like an try to remain within the limelight than honest trade reflection.
“John might not be Al Pacino, however a minimum of he has hits to his identify,” one consumer posted.
“Vivek ought to attempt making a success as large as Dhoom earlier than throwing shade,” added one other.
Divided Opinions
Whereas a bit of social media agrees with Vivek’s views on underprepared actors within the trade, many discover the timing and tone questionable, particularly when Agnihotri himself has confronted criticism for inconsistent filmmaking high quality.
In an trade the place reputations are constructed as a lot on star energy as efficiency, the talk raises bigger questions on creative advantage vs. mass enchantment, and whether or not criticizing lengthy-previous collaborations is constructive—or simply one other PR technique.